![]() That year, his family moved from New Haven, Connecticut, where Capp had lost his left leg by falling under a moving streetcar trolley, to Brooklyn, where he was enrolled in P.S. (The Countess and Fisher soon divorced, but she and her offspring inherited the copyright on Mutt and Jeff, so her name appeared in the fine print on the strips.)īut Capp was, as he said, 11 years old when he decided upon a career as an artist. And by 1924, Fisher was making considerably more than $5,000 a week. ![]() Fisher didn’t marry the Countess Aedita de Beaumont, whom he met on a trans-Atlantic boat ride while returning from France, until 1924 when Capp was 13 not 11. This autobiographical fragment is, like many promulgated by Capp, somewhat awry. "After all, how much-hoot!-does a bottle of ink cost?” Another hoot. “I decided that was for me," Capp would hoot. ![]() In discussing his choice of careers, he used to say, amid irregularly emitted but almost suppressed guffaws, that he decided to become a comic strip cartoonist at the age of 11 when he learned that Bud Fisher was paid $5,000 a week for drawing Mutt and Jeff as newspaper comic strip characters and was constantly marrying French countesses. When he talked, he punctuated his utterances with hiccoughed hoots of laughter that heralded the approach of a punchline long before anyone else could see it coming. Features The Economics of Comics: How Money Influenced the ArtĪl Capp, who drew Li’l Abner as a newspaper comic strip character for most of his adult life, had a wooden leg and a speech impediment.
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